undestructable

Rules for Anchorites

Letters from Proxima Thule

New Book Sales: Two New Novels with Tor
make things
catvalente

I am so excited that I can finally announce this!

We’ve sold two new novels to Tor!I will tell you about them!

One is a companion piece to Deathless, tentatively titled Matryoshka. This is not a sequel, but a side-by-side novel to complete what I’m calling the Leningrad Diptych. It is a retelling of Ivan and the Firebird set during the children’s evacuation of Leningrad. Some familiar faces will pop up, as in all Russian fairy tales, but it will be a story all its own. The gender-shifting trickster Grey Wolf, the Water of Life and Death, firebirds, valkyries, talking dolls and the return of Baba Yaga–Matryoshka is a dark mirror of the London evacuation and a journey into the heart of the war.

The other is my SF decopunk alt-history Hollywood pulp solar system space opera horror mystery! That’s right, The Radiant Car Thy Sparrows Drew is all grown up. (It will probably not be called anything like Radiant Car when it comes out.) A sprawling epic about love, fame, film-making, and the search for identity and authenticity in a densely populated solar system full of planets as seen through the lens of classic pulp SF: waterworlds, ice planets, and jungle moons. Imagine The Artist with giant Venusian tentacle whales.

Decopunk goodness will be out in 2014, Matryoshka in 2015.

Eeeee! New babies! I can’t wait!

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Headed Across the Pond in May (Finland Trip)
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As some of you know, I’m the Guest of Honor for Acon 5 in Mariehamn, Finland. I am SUPER EXCITED ABOUT THIS.

Also, my husband Dmitri is coming with me! This is awesome, as he rarely gets to accompany me on Fairyland adventures.

After the con, we’re staying in Europe for about ten days to take advantage of, you know, being in Europe. We can stay in Finland, but we can also go elsewhere. We have not yet decided what “elsewhere” entails yet.

Would any of our Euro/UK friends like to see us? We are very nice, and do not take up much space. Let us know, it may shape our geographical plans.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Fairyland 2 Cover Joy
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The ARCs arrived on my doorstep over the weekend. The illustrations are heartbreakingly amazing. The cover is…well. Just look.

September has longed to return to Fairyland after her first adventure there. And when she finally does, she learns that its inhabitants have been losing their shadows–and their magic–to the world of Fairyland Below. This underworld has a new ruler: Halloween, the Hollow Queen, who is September’s shadow. And Halloween does not want to give Fairyland’s shadows back.

Fans of Valente’s bestselling first Fairyland book will revel in the lush setting, characters, and language of September’s journey, and welcome back good friends Ell, the Wyverary, and the boy Saturday. But in Fairyland Below, even the best of friends aren’t always what they seem…

Eeeeeeeee. It’s so, so beautiful. What do you think?

It comes out October 2nd. You can pre-order it here.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Gonna Go Back In Time: Wisconsin’s Legalized Sexism
undestructable
catvalente

It’s ok. You guys can tell me.

We all secretly went back in time, right?

That’s the only way I can get my head around Wisconsin’s repeal of their Equal Pay Act on the argument that “Money is more important to men”, piled on top of the birth control “debate” and Georgia passing legislation based on the idea that women are anatomically and ethically identical to pigs and cows. We fell through a time vortex and it’s 1959 and half of the twentieth century didn’t happen.

That is, of course, what Scott Walker and the rest of the charming gentlemen who are signing these grotesque reversions into law without mandate or recourse want. Hey, if we take away their birth control and don’t pay them for work, everything will go back to the way it was when pwecious Scotty was a kid and women will just stay at home and back cookies for everyone. Yay! No one will be gay anymore and America will drink its milk and be big and strong and we won’t have to worry about recycling and breast cancer (ew breasts!) and unwhite people and that rock n’ roll music the kids listen to. We can law it all away.

Yeah. And fuck you, too. And fuck you to everyone who told me to stop swearing about this on Twitter last night. WE SHOULD ALL BE SWEARING. We should all be laying down so much shit that fucking roses grow on Twitter. WE SHOULD CARE ABOUT THIS AT LEAST AS MUCH AS WE CARED ABOUT SOPA. Funny how I don’t see anyone shutting down portions of the Internet in protest, though. I mean, it’s only women. The headline on Reddit about this is: “Wisconsin Gov. Scott Walker has signed a bill that prohibits workers from collecting damages in employment discrimination cases.” No outrage, no commentary, just a link. No mention of Walker’s contention that women don’t work as hard, aren’t “go go go” like men, and shouldn’t be paid as much. Women not even mentioned, despite being the clear and stated target of the legislation. Why get upset? Should be fine!

After all, there’s no war on women. The Republicans promise there isn’t. Just because the massive portion of their efforts are bent toward reducing the rights and freedoms of a single group within the American population doesn’t mean it’s a war. Not like the War on Drugs is a war. After all, drugs are bad and need to be controlled or else society will fall apart. Just like the ladies. This is just Good, Small Government. Why, next week, they’ll be repealing the Equal Pay for Caterpillars Act.

The conservatives are at least partly right: birth control and equal pay (somewhat equal, anyway) were the great victories of first and second wave feminism. They are trying everything in their power to take those things away, in the hopes that it’ll activate a Time Turner that will erase the source of those changes as well as the changes themselves. They say we are pigs, they say we don’t need any silly pin money, they say these things and they should be embarrassed, they should be ashamed at what just came out of their mouths, but no one is shaming them. The news treats it like a simple partisan debate. Point for blue, point for red. But no matter what young folks might say, these men know we’re not in a post-sexist or post-racist culture, that they can rely on old, ugly misogyny and the reluctance to stand up for women’s rights that has tinted gender relations in this country for pretty much ever to lube their legislation up nice and slick. When women are outraged, you don’t have to listen, after all. Bitches be crazy.

I know Walker will almost certainly be recalled in November. Doesn’t really matter–he’s fiat’d this into law and there’s an inertia there. I’ve heard rumors that Walker is a top candidate for the GOP VP slot, so don’t get smug in the knowledge that he’s going away. I shouldn’t be surprised, you shouldn’t be surprised–but we should all be terrified. And angry.

I’ve seen a lot of people saying things like “only in the US” and “America is crazy” and “thank god I don’t live there” flitting around, both here and on my gendered online discourse post. (And I want to thank the BSFA for proving my point, that the sexist jackasses, they live everywhere.) And I want to say: knock it off. First of all, no matter how much we like to take credit for things, Americans did not invent sexism. I promise, it could not “only happen in the US.” Many countries, if not all of them, have huge gender problems and many of those are boiling over with regressive assholes in power. And since the UK, Canada, and Australia are all having trouble with conservatives in their government pissing in the punchbowl, I wouldn’t get too excited about your immunity to this kind of crap.

But more importantly–stop thinking you’re special and it can never happen in your country. That is how America got like this in the first place. By thinking we were special, specially liberated and enlightened and awesome and only those other lamer countries had problems. That arrogance allows us to continue to let everything circle the drain, because we’re the best and OBVIOUSLY we’re not really sexist and stuff, it’ll get fixed, don’t worry. Our system can’t have been redesigned to let a few people destroy our economy–we have the best economy! USA! Everything’s fine! GROWTH 4EVAH.

I hate that shit. I know you hate that shit. So stop telling me Americans are so weird and where you live this could never happen. It could. If you’re not vigilant, like we haven’t been, it will.

Doesn’t mean I know what vigilance looks like. I’ve been told not to call myself a feminist my whole life, well before the current skirmishes. I’ve seen vast swathes of young women grow up couching every sentence defending their right to exist in “I’m not a feminist, but…” Because feminists are bad and they hate men and they’re ugly. But I’ve also been told: well, obviously you’re not serious about marriage if you don’t take your husband’s name, if you must be pro-choice make sure you insist that you could never make that choice for yourself, don’t make the first move or boys will think you’re a slut (also you will be a slut), you can have a full time job but don’t think that means you get to slack off on cooking, cleaning, and childrearing, you lazy baby-hungry girl. Men work so hard. They shouldn’t have to worry about the home. After all, you’re just naturally better at cleaning–men just don’t see clutter like you do!

But everything’s fine in America now and all feminism should worry about are the poor ladies living in the Middle East so why are you complaining that you only get 80 cents to the male dollar? YOU GOT 80 CENTS, BITCH, AREN’T YOU HAPPY?

So yeah. I feel fucking miserable and helpless. The fact is that our system is only loosely democratic at this point. We vote nationally on a President and that’s it. We as citizens have no recourse when executive branches decide to get all War on Caterpillars on our asses, and it’s been made abundantly clear that not one fuck is given about organized protest at that level of government.

This is why Wikipedia shut down to protest SOPA. Because that’s all we have, really. Disrupt commerce and consumer culture. But I just can’t see that kind of concentrated action happening in defense of women, no matter how much what happens to us happens to the whole culture. Go ahead: take our birth control and our jobs and call us pigs, tell us to obey the Catholic Church’s most panicked and regressive ideas whether or not we are Catholic. Take our humanity and wipe Congress’s asses with it.

But don’t you dare take away smoothly torrenting Mad Men episodes. How else will we get new ideas for how the country should look?

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


OH MY GOD HUGO
omfg
catvalente

It has been quite a pair of days on these here Internets.

The post on gendered discourse is very probably going to clock in as the most popular post I’ve ever written in ten years of LJ. For sure it’s the most comments I’ve netted in a 12 hour period. I’m stunned by the response and glad that, a few bad eggs aside, it’s been civil and interesting. For those of you who are new here, having clicked through to that post: Hello! I write novels. I don’t always write about feminism, but when I do, it’s a doozy.

And this afternoon, the Hugo Awards were announced.

I am up for three of them. THREE.

OH MY GOD WOOOOOOOOOO!

Specifically, for the SFSqueecast, Apex Magazine, and for Best Novella for Silently and Very Fast. You guys, I am so excited. I am so honored. I am so grateful to everyone who nominated me. I cannot believe it. I am so very proud of my friends who popped up all over the ballot. Congratulations to everyone, I am thrilled to be counted among your number.

Please, please, if you have the means, get a Supporting Membership so you can vote. It doesn’t matter who you vote for. But choose to have your voice heard.

Of course, the real question, since I never expect to win (and haven’t!) is what shall I wear? Because this is our Oscars. It is our Big Night. I see no reason not to treat it as a Giant Occasion and wear a goddamned ballgown. No matter what goes down in Chicago I intend to dress like a SPACE ROCKET PRINCESS.

Unfortunately my dressmaker friend has quit the business. But if any of you want the gig, please ping me! I might start a Pinterest board. I hear the cool kids do that these days.

Because authorial life does not stop for shiny, I must adjourn to work on Moar Books. But I am blown away. I am dead of amazing. I love everyone.

See you in Chicago.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Let Me Tell You About the Birds and the Bees: Gender and the Fallout Over Christopher Priest
undestructable
catvalente

I keep thinking about the Priest situation. You know, the one where a well known male writer took to the internets to blast the Clarke Award list, make some pointed critiques, call authors, including some of the most famous and popular names in the field, and jurors very rude names, and suggest they all be scrapped, sacked, and sit in a corner and think about what they’d done.

I can’t stop thinking about it, actually.

Everyone has had their say, including me. I am pro people voicing their opinions on literature, even unpopular ones, and I fully support Christopher Priest’s right to weep over the state of science fiction as he sees it. And while I don’t care for name-calling, this is the internet, and aside from porn, that’s pretty much what it’s for. People wouldn’t have amused themselves for the better part of a week over this if it weren’t so savage, wouldn’t make it the centerpiece of the SFF news cycle if it wasn’t a delicious piece of part gossip, part hit job, part serious business, and part playground taunt. That’s how you get pageviews, folks. Everyone loves an entertaining dick.

But it’s not the piece itself that has stuck in my mind like so many bar-room darts.

It’s that if a woman wrote it, she’d have been torn to pieces. No quarter, no mercy.

I touched on this in my previous post. But it’s more than lolz, he’s got balls of brass, I could never get away with those blognanigans. I couldn’t, of course, even if I wanted to. But neither could almost any other woman writer or blogger I can think of. Go after popular SF writers and a respected award? She’d have gotten death threats, rape threats, comments telling her everything from shut up and make [unnamed internet male] a sandwich to wishing she’d be raped to death because that would shut her right up.

I don’t actually have to imagine this scenario and speculate as to its outcome–it’s happened. It happens all the time. Sady Doyle got absolutely eviscerated, along with such whimsical threats of violence and forcible silencing, for merely stating that A Song of Ice and Fire had some serious race and gender issues. She didn’t say it was a bad book, she didn’t call George Martin a pissing puppy, she simply stridently, without compromise, and with humor laid out her opinion concerning a book. Requires Only That You Hate is regularly showered with hatred for her thoughts on science fiction and fantasy–she was called a rabid animal by Peter Watts, a luminary in our field, who received very little public condemnation for his statements. (A rabid animal! Because she thought a book was sexist! I thought humorless feminists were the ones who took things too seriously!) Hell, yesterday Laurie Penny, a well-known activist, blogger, and author, was improbably saved from ongoing traffic by Ryan Gosling and upon writing an essay on obsession with celebrity, lack of coverage of regular people doing good things, and objecting to being portrayed as a damsel in distress because she forgot which way traffic runs in the States, was treated to about a thousand different flavors of “shut up, you dumb fucking bitch” in the comments of one of the most prominent “liberal” blogs on the Internet.

You don’t even have to kick an entire award slate to the curb. I know female authors who have gotten such threats for daring to own a bred cat instead of a shelter animal, for not having their books available on the Kindle as quickly as some fans would like, for minor infractions. I’ve gotten them for, as far as I can tell, simply existing online. Most women who blog or are active in the cultural commentary game know that they have to watch what they say. Always. It’s a horrible balancing act, and one I rarely see men having to do.

Yes, I know it’s the net and comments are a festering pile of venom, but you do have to notice that the venom cranks up to eleven when a woman posts. You can tell me well, Requires is so mean! Sady doesn’t say things super nicely! And I will point to all the men who say not nice things, some of whom even call out properties for sexism, and are applauded for their badassery and edginess, for their disinclination to suffer fools, and the total lack of screeching hate speech in their comments.

Because, yeah. If you threaten a woman with rape because she didn’t like a comic book you like? That’s hate speech. That’s invoking an act of violence specifically related to her status as a female in order to shut her up. Men can be raped, too, of course and obviously, but the kind of person who leaves comments like that doesn’t see it that way. Rape is what you do to a woman who pisses you off. To hurt her especially. To remind her of her place.

And if you want to see the ugliest fandom has to offer, all you have to do is be a woman and say something negative about a popular SFF property. Bonus if it’s male-authored and male-directed. Shit on urban fantasy all you want. But Game of Thrones is holy.

The fact is, to be a woman online is to eventually be threatened with rape and death. On a long enough timeline, the chances of this not occurring drop to zero.

Chris Priest can say what he says not only because he is a giant in his field (Sady Doyle is barely less prominent in hers, and while I do think that harsh criticism goes down better when it’s not the authors in the field at hand who do it, both Sady and Requires are not SF authors of any stripe) but because he is a man. And we respond to it with some anger, but mostly reasoned philosophical or humorous posts, macros, examining what it means, the value of juried awards, defending the authors and jurors but mostly accepting what he said as either a sad gesture by an old man, a hilarious and miserable rant, or valuing that at least someone cares that much–even wishing someone would go equally ballistic about a different award. There is a marked lack of viciousness–and what he said was every bit as bad as some of the stuff that gets Requires Only That You Hate a fever pitch of loathing and seething fury just about every time she posts.

I’m not saying everyone should just put their Asshole Hats on and have at it–but some people have their Asshole Hats on already, and they take them off for men who have a beef. I keep trying to think of what a male blogger would have to say about science fiction to have someone say they hope he gets raped to death. I’m not coming up with anything.

Misogyny in the West is coming up and it’s a gross, miserable, chthonic thing swirling at our feet. It’s getting worse, not better. Sites that consider themselves evolved, liberal-leaning, and intellectual (hello Reddit! Hello Gawker!) have comments and whole sections full of such boiling hate for women that it knocks you back. I hear people say with a straight face that the younger generation isn’t sexist or racist anymore, and unpacking how woefully wrong that is would take another post entirely. And geek culture isn’t immune, not even close. Sometimes it’s worse, because it’s so convinced it doesn’t have the same work to do as the mainstream. And, I suspect, because a lot of guys were rejected by girls when they were young and see gender as the only thing all those girls had in common, and so as adults take it out on a whole gender by either outright hostility or by excluding what they see as the source of their troubles from their presence, their media, their art.

Well, I was rejected by a LOT of guys when I was young. Often cruelly, often publically. Every awful thing “girls” do, a guy has done to me. And now, as when I was in school, I find myself navigating a world where everyone listens when the menfolk talk. When women say something even slightly off the path of accepted indietechsfgamer wisdom, for offenses as monstrous as suggesting that it’s hard to be a woman programmer in the open source world and as unforgivable as crossing the street the wrong way, a large and vocal cross-section simply screams obscenities until she shuts up. When I was a kid, I was told to soften my voice, make it higher, make it sweeter, smile more, keep my hand down in class, and over and over not to be so opinionated–a word that is not even used to describe men, because when a man has an opinion, it’s taking a stand or telling it like it is or whatever brand of keeping it real you’d like to slot in there.

I’m frustrated. I’m tired of the disparity of voices, of who gets written off and who gets their blog posts discussed in The Guardian being dismally predictable. I’m tired of still having the “when men say it it’s awesome and when women say it it’s bitchy” conversation that was supposed to be sorted in 1985. Not because I have a whole bunch of horrible shit about awards that I’d like to say. I don’t. But I have to tell you that I don’t, so that you’ll think I’m a nice girl, so that I don’t come off as threatening, so that you’ll listen to what I say and not just write me off as an angry feminist…what? Bitch. Because feminist bitches are not to be listened to, don’t you know. They are not to be considered, not the way Priest was considered, even by people who disagreed, even by people who thought he went too far and too personal and too much.

And ultimately, it won’t matter. This post will still probably net me some ugly email and assumptions that I am in some fashion The Worst. Because there is no possible way to make myself as dulcet and charming and innocent and inoffensive as some people want women to be, most particularly women writers of children’s books, without killing some part of me, burning it out to replace it with a nice tea service and a demure smile.

That’s the line I walk, and most female authors and commentators walk. On one side of it is a silence which we can’t afford and on the other are the blowback and threats, which come quietly and secretly through email or boldly and baldly in comments.

I have no doubt professional life will be a bit dodgy for Priest in the near future. But no one will wish him death. No one will email him to tell him he should be raped. No one will call him a rabid animal (with the implication that such monsters are to be put down). That he will not suffer this is undeniably a good thing.

But it’s not an equal thing.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Oh Way Out West, They Have a Name
perfect girls
catvalente

Last night, over a pot of coq au vin and a bottle of vodka, I sat at my table and sang songs with my husband, Laurie Penny, Peter Beagle, Peter’s agent Connor, and Connor’s partner Terri. Peter and I sang Mariah together, from Paint Your Wagon.

That is a thing that happened in real life and not in a dream.

My life is often strange and impossible. I am so grateful for it.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


The Tears of Christopher Priest
undestructable
catvalente

The Arthur C. Clarke Award shortlist came out. Christopher Priest, who you may remember from The Prestige, does not approve of it no way no how.

Now, I actually like his post. I’m not going to call it a rant because I don’t enjoy that word–it seems to downplay the possibility of Getting Mad on Your Blog having any style, craft, or critical merit and it’s not really a rant when it’s reasoned, clever, and passionate. Whether you agree with Priest or not, it is all of those things. In fact, “Have we lived and fought in vain?” his comment on Greg Bear’s latest, is one of the great oh-this-fallen-world zingers I’ve heard in lo these many years.

Way back in grad school, one of my professors said he felt quite fondly toward Harold Bloom, though he found many of the man’s ideas toxic and wrong-headed. “We need,” he said “somebody to go on TV in a leather jacket and cry about the death of literature. Somebody has to do that for us, as a culture.”

Well, it looks like Priest has taken up the leather for us this year. And I’m fine with that because someone has to do it. Someone has to move the Overton Window ever so slightly toward high art. High art gets crapped on all the time, and even the phrase is basically a self-reflexive accusation/admission of elitism. But things get shitty, Sturgeon’s Law applies, the center cannot hold, and very occasionally, as high-maintenance lunch-to-literature conversion machines, we need Mommy and Daddy to not be proud of us to spur us on to write better books, to synthesize the high and the popular a little better every time. You will find a thousand authors arguing that what is popular is ipso facto good and anyone who says otherwise is a pseudo-intellectual heel. One guy should be able to say the opposite.

Now. Do I agree with Priest? Not especially, on this score–I have only read two of the books on the list, and I like Internet puppies. (I do agree about the thing we’ve lived and fought in vain about, though. GOD I need an icon of that line.) Were those two my most specialist favorite Trapper Keeper books of all time? Nope. But honestly, the Clarke shortlist has never stood in for my to-read pile. I am not, as they say, the target demographic. The Clarke list has always, to my mind, been for the type of person who goes on the Internet to weep about the death of hard science fiction, and those people rarely hang out with me. Would I be less fine with it if I were one of the authors Priest shakes his finger at? Yep. I would be crushed. I am grateful he either doesn’t care about, has no problem with, or hasn’t seen the Nebula ballot. I’ve never met Priest, but I suffer under the common longing for the greats in my field to find me worthy, to look on my work and call it not a waste of paper, for Mommy and Daddy to be proud of me.

While Damien Walter is probably wrong about Priest’s motivations here (I think “he’s just jealous” as a way of discounting everything a person says does not become a critic) he’s right about the powerful desire of writers to be “…part of the scene, in the loop of the creative life, up amongst the top names in the field. In tempting to believe that all the top writers of the day are all bosom buddies, that they are live in a big house together and go on rambunctious group holidays.”

Yeah, he’s got us on that one. It’s a big part of the reason award ballots cause us ulcers. Not because we want to be showered in rockets while bathing in perfumed Lovecraft heads while signing our new contracts on the crystalline surface of a nebula, but because we want to be in the room, we want to get called up to the big game, we want to be inside and not outside, acknowledged as someone who can be allowed to sit at the big kids table. And it can’t be a whole lot of fun to have someone whose seat is assured tell you at length why you don’t deserve to be there.

But on that point I don’t think you can argue that the Clarke list isn’t, in fact, representative of the field as it stands, of the giants in it, veterans, rock stars, and up and comers, of those who in fact are in the scene and in the know. The fact that so few books were submitted says more about peripheral issues than about the sins of the jury or the authors at hand: the tough-to-crack UK publishing scene and how much trouble science fiction as a genre is having right now, dominated by a few huge names (and therefore the style and ideas of those names), underselling as compared to fantasy, losing new blood to the enormous YA market which is all hopped up on SF dystopia right now (I don’t think that’s necessarily a bad thing, but it is a thing), and torn between the desire to return to pulp roots and break new ground which might alienate the very vocal fans of those roots. It is hard out there for a space pimp, I tell you what.

Is it possible that a fourth Mieville win, no matter how awesome China is as a person or the relative quality of the book, might harm the award and the field by implying that it’s not so much the Arthur C. Clarke Award as the Annual China Mieville Award? Yep. That is a salient argument. The same guy always winning isn’t exciting or interesting nor does it encourage a lively field. This is why several major editors, writers, and venues pledged to take themselves out of the running for the Hugos this year–they always win. It’s not fair. And China looks to have a book coming out every year for the duration, so possibly it’s time to call someone else up to bat–if they wrote a better book than Embassytown. It’s up to China to decline if he feels it’s right to do that. The shortlist is a done deal and it’s not going to disappear in a puff of logic as Priest suggests/hopes. And while E-town was not to my taste, I’m hard pressed to think of another SF book that came out last year to more perfectly encapsulate what people say they want: cerebral novels of ideas that have interstellar scope, gravitas, and scientific weight. That bad boy is all gravitas.

But all of this is beside my main interest in Priest’s philippic against the Clarke ballot. Which is this: I am endlessly impressed when someone is august enough to be able to post something like that and have people not react with screaming and personalized rage, but with good-natured defenses, t-shirts, macros, and amused opposition.

Because let’s be honest, I couldn’t get away with it. If I posted that shit? I’d never hear the end of what a bitch I am. And Priest is friends with some of those writers, or at least friendly! I still get grief over saying that I didn’t like a popular subgenre of SF, (and at the time I got it from every conceivable corner) and suffer guilt over having torn into Yellow Blue Tibia as harshly as I did. I decided not to do any more negative reviews of anything because the satisfaction of stating my opinion was not worth the personal abuse I got every damn time–even for a stupid movie like Splice. I have a reputation and it starts with B. And I’ve never told a whole slate of award nominees to take a flying leap. Being part of a community as small and close-knit as the SFF world is a delicate thing. Hell, I didn’t even post about how hair-pulling insane the non-ending of The Prestige made me because Priest is a golden god and you don’t go poking them. More fool me, I guess.

Is it because he’s a dude and I’m a lady? For sure, blogs written by men can get away with a confrontational tone and stridency of opinions women can’t. Because he’s old and I’m young? I get that–I haven’t shown that I’m any better than anyone else. Priest is a genius (though again I’m with Walter in that: “His writing is extremely clever, but even in the ‘literature of ideas’ that is SF, ‘extremely clever’ is really a way of saying rather unemotional, dry, and hard to love.”) and you gotta listen when he talks. I envy the free license of the great and glorious elders to simply not give a shit and say whatever because fuck you, that’s why. It’s an amazing superpower. I hope someday to inherit it.

So, Christopher Priest: thank you for going on TV and crying about the death of literature. Literature needs that, to keep it going. The genre needs someone to exhort it to try harder, to keep it reaching for the heights. You had me (specifics of the novels aside–Daddy, you ain’t never gonna convince SF writers to quit it with the neologisms, that is what we call a lost damn cause) right up until you suggested throwing out an already-released ballot, which seems unnecessarily cruel to the real living and breathing authors who would be affected by it–I mean, seriously, that is some cold shit right there, to say oh hey, really, now that we’ve thought about it, you all suck to much to even let this go to a vote. Do over! Wow. Hardcore. That is not even tough love, it’s just tough. But hey, in for a penny, in for a pound, might as well suggest a drastic and unworkable solution. I appreciate any blogger who does over a solution rather than just snerking at the world, even the high-quality snerk going on over there.

No one is going to go: hey, you know, he’s right, I am terrible and Imma fix it! The whole nature of books is that they speak to some humans and not others. The point of shedding tears about literature is not to stage some kind of intervention that moves everyone over to your way of thinking. That trick never works. It’s to piss people off so that somewhere somebody–probably not the people he lit into–thinks to herself: I’m gonna write something so good even that Priest jerk will bow low before my might. And the world is made better by that unspoken challenge.

Whatever the ballot looks like next year, whatever trends and sales and celebrity and chance do to the state of the field, whatever cringing and wincing I have done this morning on behalf of the authors you have deemed unworthy, Mr. Priest, I can tell you one thing:

You have neither lived nor fought in vain. I promise.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


I Am the Walrus
undestructable
catvalente

You never know what a school visit will be like. If the kids will have read your book or not, if they will be engaged and interested or bored and distant. If they will open up to you or shy away, since you are a stranger and an adult and that oh-so-mysterious thing, a writer.

And then sometimes they spin you right around and show you the slice of the universe they carry around in their backpacks.

After my talk in South Portland a couple of weeks ago, the kids were milling around the library and two kids started playing an odd game with a long row of identical powder blue books. Each book was about an individual animal, with that animal’s name and a photograph emblazoned on the front in bright colors and large print. The boys stood on chairs behind the shelf so they could pull out books without looking at them.

One, who wore glasses, looked up and yelled “Miss Cat! come over here! We’re playing a game!”

I did, and the boy in glasses told me to stand still and they would pick for me. With a little theatrical flourish, he closed his eyes and pulled one of the books at random.

“This is what he is,” he said, gesturing at the other boy, who had blond spiky hair. He turned the book around and held it straight out with both arms. On the cover was a crocodile.

The blond boy yanked out another one. “Oh yeah?” he said to the boy in glasses. “Well, this is what you are.” He flipped the book to reveal a toucan.

“And this is what you are!” the boy in glasses turned back to me triumphantly, and selected another book.

On the cover was a moose. I laughed. “I can be a moose,” I said. “They’re big and strong and stubborn and they make funny noises, just like me.”

This went on for awhile, grabbing books with closed eyes and trumpeting: this is what he is, this is what you are, oh yeah, well you’re both of these put together, I’m gonna pick three and all of them are Miss Cat. Well, if I were a MAD SCIENTIST I would make one animal out of THESE ONES and it would be a MONSTER and that would be YOU.

I was, variously, a moose, a wolf, a muskox, a flamingo, a grizzly bear, and a walrus. The blond boy was a butterfly, a shark, a mountain lion, a mosquito, a swan, and a kangaroo. The boy in glasses was a dolphin, a hummingbird, a lion, a zebra, a whale, and a rabbit. I was also a whaleantelopebee, and they were an elephantfrogmanatee and a peacocktigerkoala.

And I couldn’t help but marvel at them, the very primal and human moment when theyse children learned how to make metaphors. Not I am like a swan, you are like a wolf, but I am a swan. You are a wolf. He is a shark. I am a rabbit.

And it’s more than metaphors–it’s divination. It’s folklore. If I close my eyes and reach out into this collection of randomly-ordered images, whatever my fingers find will say something essential about me, or my friend who wears glasses, or the lady with black hair and the red book who came to talk to our class today. It will not say what they’re like, it will say what they are, deep down inside. So If I choose a worm for myself, I will be sad, because it means I am a worm and I have this whole set of ideas about what worms are. If I choose a tiger, I will be happy, because I also have ideas about what tigers are and in the world I live in it’s better to be a tiger than a worm. What animal I am tells a story about what kind of person I am, and what my life will be like when I grow up.

It’s this incredibly basic thing, somewhere between magic and storytelling, and you can see exactly where fairy tales come from in these boys grabbing blue books like Tarot cards, like runes. Where totems come from, and fetishes, and half the shamanic toolbox–oh, no Miss Cat, we’ll draw for you. If you draw your own it doesn’t count. Those are the rules.

No one taught them to do it. No one taught them those rules–though certainly there are cultural narratives at play in their reactions to drawing The Rhinoceros versus The Kitten. Though I found it wonderful that with the exception of the flamingo, all of my animals were the sort usually masculinized–big and strong and somewhat dangerous–and they didn’t question it at all. The draw has spoken. Nor did they express particular dismay at being butterflies or swans. It wasn’t about what kind of animals they liked. It was a deeper magic, as a certain lion would say.

What they were doing was very real. Paleolithic human wizardry. We still do it as adults, of course, as a million usernames and pagan names and Halloween costumes and D&D characters and cosplayers attest. The marriage of image and soul fuels story and our conceptions of self, all the more so in the world of the internet where we can use images that are not our actual selves to represent that self–macros and userpics and icons. We are always making ourselves into metaphors. We are deciding with endless online quizzes what animals or fairies or vampires we “are”–in hopes, I have always thought, of borrowing some of the power of those characters and images for ourselves and our actual non-fairy lives. We want those images to mean something more, to say something fundamental, and once we decide they do, they do–that’s how some kinds of magic work.

In play, we show our best selves, the people we dream to be, long to be. And we pantomime acts and narratives that once upon a time were seen as holy, as the very keystones of faith–because they are instinct, they are beautiful, and they are true often enough.

I spent an afternoon with two small shamans and they told me I was a moose. I was a wolf. A muskox, a flamingo, a bear and a walrus. We did a good trade. I brought my magic to them in the form of a red book, and they brought theirs to me in blue books. We wizards know a bargain when we see it.

We shook hands when it was over. That’s how colleagues say good-bye.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


American Politics Are A Black, Morbid Circus and We’re All Crammed in the Clown Car
undestructable
catvalente

There comes a time when you look up from your constant work and open the windows to let the spring breezes of current events in and take a deep fucking lungful only to say:

What the fresh hell is going on in this country?

Trayvon Martin gets shot to death by a neighborhood watch who stalked him, decided his bag of Skittles was threatening, shot him through the kid’s tears and screams for help, claims self-defense, and the police don’t so much as arrest him? They don’t intend an investigation even though the shooter has fled the city, most likely the state, and disappeared?

NYPD just straight up beat OWS folks into the ground while hissing obscenities at them because they dared show up at Zucotti Park after a rally? Obviously no charges filed, because fuck those hippies.

Rick Santorum–RICK SANTORUM–the senator with the most notorious surname in politics, the one so crazy and mean the whole internet got together to make him no longer viable as a political entity, is winning primaries and might actually be the Republican candidate.

And apparently, APPARENTLY, all of that lovely talk about how American feminists should shut up because the battle is won and everything’s SUPER COOL and happyfunequalitytiemz now is just so much wishful thinking, because we are returning to fucking VAUDEVILLE levels of woman-hating right now. Want an abortion? Well, we’re going to need to violate you with this penis-shaped, condom-covered instrument then, just to remind you of the devil’s work you did to get into this situation in the first place. Nobody knows how birth control or a goddamn uterus works, we seem to be having an actual discussion about whether it’s appropriate to be on birth control as an adult woman, and though conservatives want to frame it as a health insurance issue, it’s really about taking contraception away entirely, as evidenced by the Arizona bill that wants to make it legal for an employer to terminate a woman because she’s on birth control. (No word on Viagra, of course. That’s for a serious medical condition! It must be covered!) Since women already get fired for being pregnant, the logical solution is don’t hire women anymore, and PRESTO CHANGO WE’RE BACK IN 1957 WHEN EVERYTHING WAS PERFECT AM I RITE.

And now, NOW, this asshole in Georgia wants to make it illegal to remove an ALREADY DEAD fetus from a woman’s body until she “naturally passes it” because “that’s what cows and pigs do.”

WHAT. WHAT?

It’s not even an abortion, it’s hazmat removal. To say a woman should risk death and incur obvious psychological trauma from carrying around a corpse as long as possible because cows and pigs do it? Ok, you’ve done it, you’ve actually blown my mind. It seems pointless to say a woman is not a cow or a pig, that anatomy is not identical across the animal kingdom, that it is cruel and beyond the pale to deny necessary medical treatment to a woman because it kind of sort of reminds you of abortion, that the default state of the universe is not Men = Human, Women = animals. That oh my god now not only are women’s lives not as important as fetuses, they are much less important than dead fetuses. And some people will vote for this! They will look at this thing and say: sounds good to me. A pig can make bacon, maybe we should start rounding women up for meat, too.

Is it seriously just that we have a black man in office, so conservatives cannot cast their reality-blocking bubble spell as completely as they did during Bush’s years? Because at least when Bush was around they weren’t telling me not to take birth control on the very flimsy excuse of supporting the Catholic Church, which most American far-right Christians think is a wretched hive of scum and villainy and also witches and idolatry. Is it that the very notion of reality including a black man in power so totally destroys the decency centers of conservative America that all their oldest, ugliest, most ridiculously old-timey sexism and racism comes flying out like psychic vomit? Men who can’t even bring themselves to say the word vagina are deciding what I can and can’t do with mine, and it’s not because the government should stay out of health care, it’s probably not even because babies are so sacred, it’s all about putting those whores in their place, which is not in the office, it’s not in college (else why keep calling women in college co-eds like it’s 1920 and they just let a woman into Oxford for the first time, whatever will the menfolk do? They’re students, you unbelievable jerks), it’s in stirrups, it’s in the kitchen, it’s out of sight and out of mind, with their icky, icky parts hidden away.

I get in trouble when I talk about politics on this blog. Back when McCain was running I posted a paragraph about how grotesque I thought he was and got a rash of comments and pingbacks about how authors should shut up about politics and stick to writing about elves. So most of the time I just don’t say anything, because I don’t want the grief. But things are getting unreal. The level of cognitive dissonance it takes to insist the Republicans are the party of small government while supporting their desire to legislate every aspect of the sexual lives of everybody (think straight men’s sex lives won’t be affected by women not being able to get birth control? Think again) actually hurts my brain to contemplate. Yet half this country blithely spouts it–and quite a lot of geeks, who would never call themselves conservative and certainly would like to get laid a whole lot, gleefully support Ron Paul, who’s so libertarian that he supports practically no government regulation EXCEPT ON THE LADIES AND THE GAYS YOU GOTTA REIGN THAT SHIT IN.

And all the while the only people who even want to talk about the mass financial crimes of Wall Street or the crises facing young people as the economy circles the drain are being beaten like dogs for opening their mouths in the same place that some tents were pitched last fall.

Oh, and it’s 75 degrees in March in Maine and we’re running out of oil and just about everything else. But the Bible doesn’t say that can happen so we should be fine. Don’t even think about researching alternative fuel! That’s not how we powered our Cadillacs in 1957! Therefore it’s suspect!

I don’t get it. I fundamentally don’t understand how in 2012 this is the country I live in. I want to believe it’s the last death throes of the old world, of the terrible, toxic ideas of the 20th century finally spasming out, but these people control a significant part of our governement, and Santorum isn’t even old. We can’t just sit back and say they’ll die off eventually. The earth will never run out of assholes. And this obsession with the essential goodness of the past, the need to not just live life by conservative principles but force everyone else to do the same so you don’t even have to think about anyone ever being any different than you…I can hardly think of an uglier instinct in humans. Rather, I can, but they all come from this same one. And we’re hip-deep in it–but anytime someone gets angry enough to speak out, they get a can of pepper spray to the face. (Seriously, who is training the police these days?)

It’s so much more fundamental than a single election. Hell, it contaminates other countries–the UK is considering, for some kind of insane reason, to scrap their NHS and adopt our system, a system that doesn’t work for us at all and harms our populace. A system so bad it’s the punchline of jokes. But it’s more than that, even. A huge part of the country I live in wants to silence and crush people like me–and that “like me” has multiple vectors. Female, queer, young, liberal, artist, techie. It goes on. I once thought you simply couldn’t put the genie back in the bottle when it came to a lot of these issues. You can’t force a nation to re-shackle itself. But maybe, if your hate is strong enough, you can do it piecemeal, bit by soul-killing bit.

We need an It Gets Better campaign for America–except I’m not sure it actually will.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


A Writer’s Education: My Promise to the State of Maine
undestructable
catvalente

Last night I went to speak at a local elementary school about The Girl Who Circumnavigated Fairyland. It was a good event with a nice turnout, with a bunch of really eager and interested kids who don’t often get to meet authors. Since the book came out I’ve spoken at a lot of schools, of every socio-economic level from incredibly posh private school to low-income public schools.

Now, I was educated at public schools–all the way from K to graduate school. I moved around a lot and some of my schools were better than others. I went to community college. But it’s always been public school for me and if it’s not too bold I think I got a pretty awesome education there, due in large part to phenomenal teachers. Mr. Danielson, Mr. Crossman, Mrs. Lamp, Mrs. Bonneau, Mrs. Bruch, Mr. Kanna, Mr. Wrightson, Dr. Schwartz, Drs. Edwards, Dr. Clark, Dr. Ringrose, Dr. Dubois–these people made me who I am.

I believe in public school. And I also know how difficult funding, teaching, and running a school has become.

Most of the schools that I go to are pretty well off, in good districts, private schools–because those schools ask. Those schools have had authors in the past. They can afford honorariums. One principal even gave me a silver bracelet as a gift for visiting the school. And those kids get a lot out of an author visit. They learn about publishing and about how a story gets written, they get a chance to see books as living things that grown ups are passionate about, they get exposure to the wider world and to art as a wage-making life choice. Peter Beagle came to my high school when I was in 10th grade. It had a profound and lasting effect on me.

And so I came to a decision last night while talking to the 5th graders in South Portland, and to their teacher, who shook her head and talked about how expensive it was to bring authors in, even to get them to do a Skype visit. That it’s just not possible for them very often. Because Maine, a state I love and have made my home, has a severely underfunded educational system. We have a lot of struggling schools, a lot of districts who could never afford to bring in speakers and writers for their kids. We have great teachers and librarians, but the state has been hit hard by every economic downturn and rarely buoyed by upturns that bring tech money to Boston and maybe even Portland, but certainly not to the vast interior of Maine or the outlying islands.

I live here. It is a place I want to see thrive. So from here until forever, I will waive speaking fees for any K-12 school in Maine that asks me to come and talk to their students.

I will pay for my own transportation, yes, even to Eastport or Presque Isle or Matinicus Island. I will provide any incidentals or technical equipment so that the cost to the school remains zero. Scheduling concerns notwithstanding, I am simply making myself available to Maine schools for free. This does include private schools, for all I’m a public school advocate. Even schools that can afford to pay me should get a break sometimes. Use the fee to buy new books for the library or to bring in a second author.

Why just Maine? Why not extend this offer to anywhere in the US, or the world? Kids everywhere need help, don’t they? Well, the simple answer is: I live here. I plan to for a long time. I feel it is vitally necessary to invest in my community, and for kids to see someone who lives in the same world that they do making something beautiful and putting it into the world. To see someone living and working in Maine becoming a New York Times bestseller with a book she wrote in Maine. More practically, I can’t afford to fly anywhere, anytime. This is what I can do, what I can give back to the place that has accepted me and given me so much joy and inspiration.

Maybe no one will take me up on this. Maybe they will. But I feel it is the right thing to do. Any teacher or principal can contact me through my website or my publicist at Feiwel and Friends.

I get asked a lot when I knew I was going to be a writer when I grew up. And the answer is not until I was already writing professionally. When I was a kid, up through college, I wanted to be a teacher. I wanted to get people excited about the things I was excited about , and do what all those amazing teachers and professors I mentioned (and many more unnamed) had done for me.

I went another way, and I’m not a teacher. But I hope I can give a little help to those wonderful, dedicated women and men who do the good work every day.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


The Amazing Technicolor Localcoat: The Economics of Etsy
undestructable
catvalente

The Etsy blog just posted this story about a woman’s quest to completely locally source a coat.

It’s presented as a great success, a doable thing (even though the coat cost $900) and a harbinger of, or at least an indicator for a possible mechanism for a new economy.

And here’s where your humble narrator goes: hrmmmmm.

Because if you read that article, you may or may not notice the several things that I did. Now, I’m not saying this lady is wrong and should feel bad–she’s fine, she went on a journey and this is what she found. But the triumphalism is a little odd. Look:

Just fifteen minutes from my front door, mills used to transform locally-grown fiber into beautiful fabric. All that capability is gone now, off-shored in the 1990s.

Yep, me too. Except…she’s in Sonoma Country, which was wine country by the 1990s, and not mill country in the way, say, the entire state of Maine was. But ok, sure, there was a mill there. But the vanishing of the textile industry (which went down in this country LONG before the 1990s, hell, Kerouac wrote about it) is presented as a tragedy here. A lost time of beauty and care, the creation of exquisite, handcrafted items loved by all.

That is not what a textile mill does. The idea that we’ve been expelled from the Eden of…mass-produced textiles that probably didn’t spend one second in Sonoma County before being shipped who knows where is fascinating, and indicative of where the local movement is going a bit awry. Yes, things were made there. No, they did not stay there, and if you’re longing for the Xanadu of early 90s manufacturing in California, well, I don’t even know. Sonoma County has become vastly rich doing exactly what locavores delight in: making wines. Locally. Charging a lot for them. I don’t think anyone there would trade the money of yuppie wine lovers for the return of the textile mills, with their cancerous fumes and river-polluting and punishing working conditions. BUT IT WAS LOCAL.

You know what part of the country would love to have the textile industry back, though? New England! Because in its wake, it left a hugely economically depressed region that has not been able to recover due to damn near perfect growing conditions for expensive wine! So I feel like I have a little bit of a handle on how to make a local coat, given that I live in Post-Apocalyptic CoatWorld USA. But back to that in a moment.

Because she doesn’t make her coat locally. If you pay attention, she admits that they “could not” locally source the following items: the silk liner for the coat, cotton thread, and magnets to use as a coat closure because the designer didn’t want to make buttonholes for some reason. I presume the olive oil soap used to clean the fiber was also not local, nor the muslin used to make the pattern.

Alright, so this is only a locally made coat in the loosest sense, isn’t it? In that: the alpaca was local. The felter and carder were local. The designer was local. That’s it. Every other aspect of the coat was made somewhere else, and in the case of the magnets, probably somewhere very else. And it cost $900.

Normally, I wouldn’t say anything, but this is specifically touted as “dress locally” and a new economy success story. All the comments are supportive of that read on it, and it’s the thesis of the article. Apparently this “new economy” still needs all the trappings of the old economy, but as long as you don’t think about it, it’s still morally pure.

So I started thinking about this, because I am a fiber artist who makes some of my own clothing. Because if asked the question: can you make a single locally sourced garment if price is no object? The answer is: of fucking course. (At least where I live. I find vocal locavore evangelists sometimes forget that not everyone lives in California, the Pacific Northwest, and other areas of highly fertile land and an affluent population that can support all of these high-priced, handmade, local $900 coat movements. If you want to eat locally year-round in Maine, I hope you really like dried beans, because the winter CSA will airlift a freaking crate of them to your door.)

So: I am a knitter. I have the most rudimentary of sewing skills. I still think I can make this happen for under $900 and be, you know, actually local.

So, first, the yarn. Nothing to it. I can drive 15 minutes out of town and get all the alpaca fluff I want, in pretty much any direction. I can card it myself, and though my spinning skills are probably not up to making the fine yarn needed, there is an amazing spinner on this very island I could give it to to turn it into yarn for me. While she’s at it, she can spin some thread that I can send to the nice lady in California. I am baffled at the notion that thread must be cotton, or that cotton is somehow not a crop that grows and is for sale in central California, the most fertile place on earth. If the spinner is not available, I suppose I could just practice a little more and do it myself.

I am fully capable of designing my own pattern and knitting it–I highly suspect the lion’s share of that $900 went to the clothing designer and the three fittings, not to the alpaca farmers, though of course I could be wrong. I am capable of this because I’ve spent four years knitting and learning, and the article is absolutely right that that knowledge is always factored into any price. But I promise, you can do it, too.You can also felt your knitting in your washing machine for approximately $0.

At this point, we come to the lining. Now, I question the need for it to be chiffon silk to begin with–when attempting high-grade localness, sometimes you have to make do with linen like a plebe. But ok, sure. Let’s pretend it has to be silk, because it’s not just a local movement, it’s an affluent local movement, and what would the other Whole Foods moms say? Well, a quick Google search did not turn up any silkworm farms in Maine. Sad face! Turns out the state subsidized silkworm farms in the mid 1800s but since they only eat mulberry leaves and mulberry trees don’t dig the frigid cold, it didn’t take. Hilariously, though, searching for silkworm farms in Maine turned up as the fourth hit a silkworm farm in Fallbrook, CA, which is a bit rough for the local tag at 500 miles from Sonoma, but you can also contact the UC Davis cooperative, as they farm them, too, and that’s not even 100 miles from Sonoma. (Also I went to high school there. Go Aggies!)

So, they could have gotten locally sourced silk, but I cannot. However, there at least five or six serious weavers on my island and I’m pretty damned sure I can get a nice piece of fine linen to line my jacket with and I would somehow be able to face my silkless image in the mirror every morning.

For buttons–and I cannot comprehend a designer that, knowing the goal is to make as locally sourced a garment as possible, decides she doesn’t want to cut the fabric and make buttonholes because fuck buttonholes I guess, and goes for magnets. Which they didn’t even try to locally source–even though Southern California boasts several magnet manufacturers (remember, mills are awesome, so it doesn’t matter whether those magnets are made in terrible conditions, they are made in-state) and the Mountain Pass Mine, the largest rare metals mine in the United States–specifically metals used in the creation of magnets. Now, that mine just opened last year. Maybe it won’t be as rich as we think. But you can make magnets in middle-school science class, for reals, guys.

Yeah, I’ll think make some buttonholes.

Then I’d go to my local yarn store (owned by an islander!), who carries beautiful pewter carved buttons from a Portland metalworker. Or I’d make glass buttons myself with my lampworking setup at home. I can even manage the olive oil soap, as there is actually an olive oil press outside of Portland, and they make soap.

I would estimate my total materials and someone-else’s-labor cost for the coat at about $150, much less if I spun the fleece myself, maybe $220 if I had to buy the yarn already spun up (which I could still do locally). Does the experience and knowledge of 2-3 humans plus my time knitting the coat add up to a $700 markup? I don’t know. Maybe. Probably not, if we’re really trying to show what local economies can do.

Her coat wasn’t knitted at all but felted straight from the fleece. Knitting takes longer, but knitting for felting can go pretty quickly. Call the whole thing $300 to sell, not to make–which is being very generous, because I’m positive that with my New Economy shoes on, I could barter for the weaving and the spinning. 66% off, and not far from what you’d pay for a good alpaca coat from the mall. Still not cheap, and I didn’t support any local clothing designers except, I guess, me. (Designers do good work, too! But the experiment here was simply to have a locally-sourced coat, not a runway-ready one.) I’m lowballing the profit margin…because I recognize that people do not have that much to spend. I don’t make coats for a living, obviously. I believe strongly that the benefit of localness has to be weighed against the cost to that very community, and we can’t all sell each other $1000 clothes. Again, the issue was never to make a fashion-forward coat of awesome that would make the drag queen angels weep. It was: can you dress locally. And the ease with which the affluent can insist a pricetag like that is reasonable and scalable enough to change the way our economy works bothers me on a deep level.

Normally, I wouldn’t make such a stink. I would maybe Tweet about it. Locally made garment. Cool. But this article made such a big deal about the very special localness of this experiment in the new economy, when really, only one item used in the making of the coat was locally sourced. What the word “local” means has always been a sticking point for me as this movement has grown–often the big showy items are local, but the invisible stuff, cookware to prepare that meal, spices, salt, thread, magnets, plates, require the entire apparatus of the industrial economy to be in full swing. Yes, it’s a good thing to invest in your community and get things locally, in no small part because it often tastes a hell of a lot better if it’s food, but to pretend like this is the New World while benefiting greatly from the presence and continuation of the Old World puts my nose out of joint. It also ignores that people in other communities also matter, and need jobs, like to be able to make money off of their farms, their art, the work of their hands. I assure you, much of the state of Maine would be happy to make your coat with the love of the common man in their hearts, weeping righteous tears right into the fabric. But that wouldn’t be local if you live in California. And the word, the dare we say label, has become more important than anything else.

What I think we want when we say we want localness is story. We want to know about the things we use because we’ve become very disconnected from those things. We want to feel some affinity with what we use, what we eat, what we wear. We like knowing the names of the people who made it, because that makes us feel more human, more invested in the world. It makes us happy, because we are creatures who seek company, tribes, and depth. And if you can get those things, maybe it matters a little less how few miles they came to get to you. I got a necklace from Etsy today. It came from Sacramento. Not local–but still made by a human girl whose name and face I’ve seen, if only in a photograph.

But the pricetag of the coat gets in my grill too. Nothing that involves a $1000 coat is a harbinger of a new economy. It’s the old economy, where the rich can afford to have beautiful handmade things and the rest of us are priced into manufactured t shirts. There’s a crack in bloody Gosford Park about that little socio-economic turn of the tide. It happened around the year 1900. It is OH SO Industrial Revolution. The article admits this, but, because it’s the Etsy blog, asks whether you wouldn’t want to be paid $900 to make a coat? Well, we all want things. But if your new economy of local, communal friendship and cooperative manufacturing relies on someone else being wealthy enough in the old economy sense to want to pay you in cash during a Depression what a goodly portion of us pay in rent? Then you’re not out to change the world. You’re just out for your share from the bad old system as it is.

And that’s fine. It really, really is. We all need to make our way. But it’s not an Etsy-messiah triumph of local economies nor does it prove anything about a new way of living.

That article asks: Can you make a locally sourced garment? It believes that it has answered yes. It is super excited about the answer being yes! My point is that the story as presented actually says no. But the real answer is still yes, it just takes a little more research and time. But not more money, necessarily.

Some of this may have seemed harsh, and I really have no beef with the author of the article. She seems really nice and enthusiastic.

But she’s not wearing a locally-sourced coat.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Girl Grit: Feminism, Westerns, Sherlock, and Erasure
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For reasons almost entirely irrelevant to this post, I have been mucking about with Westerns of late. I’ve seen a rather obscene number of That Sort of Film due to having grown up in California (they’re history! Srsly!) and having a Western-obsessed ex-father-in-law. I’m less hep on the literary front, but no slouchy stranger to it, I promise.

So I come from a place of some authority when I tell you that True Grit is really, really good. Both the book and the recent film adaptation–let us not speak of the original movie. Look, I know it’s JOHN WAYNE ZOMG and a classic and whatever, but it’s a ridiculous over the top movie that robs the novel of all it’s uniqueness and power. It cannot trust the words of the book, the simple power of the story. And they CANNOT STOP with that horrible theme song. Dmitri turned to me and whispered: “Did they…back then…did people just not know how to act yet?”

I think that says it all. Yeah, I don’t care for the Duke. What a shock. Clutch your pearls.

Whereas the Coen Brothers flick is pretty freaking great. It is miles more loyal to the book, which is GREAT, because DAMN, that book. It’s got this dialect thing going that is just easy and fluid and fabulous, it’s a tight, emotional, gorgeously written thing. A perfect marriage of style and content.

And what do you know, there’s a Strong Female Protagonist in it.

Watching TG for the third time–and it’s few enough movies I can do that with and not be bored–it struck me that this is a novel written in 1968, about the mid 19th century, in a genre notoriously hostile and uncaring toward women, by a dude who was born in 1933, and it’s got a complex, interesting, active female protagonist who is never punished for being a girl, who tells everyone who talks down to her to fuck right off, who moves the plot herself and in fact gets to shoot the man who wronged her. She is the point of view character and though she ends up a spinster, she dismisses any notion the audience might have to feel sorry for her or see that as a meet end for a girl who steps out of place, saying she never had time to fool with marriage. Her sheer amazingness does not preclude the presence of Rooster Cogburn, a compelling and iconic male character, nor the badassery and redemption arcs of the men in her company. It simply exists. (Though oddly I’ve seen people refer to Mattie in both film adaptations as a sociopath, which seems to miss the point entirely and say something quite ugly about the kind of people who think a girl doing what everyone in revenge plays have been doing since they were invented means she’s a sociopath.)

Yes, she’s 14, and many writers have fallen into the trap of believing a young/sexually immature woman can be allowed a freedom and level of interest older/mature women cannot, but I used to be 14 (crazy!), and I’ll tell you what, that’s well past the innocence of pre-adolescence. Mattie Ross, without a chain mail bikini or a giant sword or any need to reassure you that she’s just a girly girl at heart, tee hee, kicks ass. She does not give two fucks, and the text supports her in not giving them. It gives her space to work out her own story. She is neither impossibly strong, superpowered, crazy hot, nor wishing for a boyfriend.

You know, in 2012, the number of films and books that allow women to do this are vanishingly small.

Aliette de Bodard wrote an excellent post about the invisibility of women in Sherlock–but even more about how this is kind of a new thing, male writers just erasing women from their fictional cosmoses entirely. If you look back at Doyle, his contemporaries, his predecessors, though women might be harpies or evil or simply rewards for men, they were never just absent the way they are in portions of current television and film. People had mothers, sisters, daughters, wives, and so did everyone they knew. You couldn’t just blot them out because you weren’t “interested” in them–every Greek play has one, some several, Shakespeare even at his bro-iest (surely Love’s Labour’s Lost?) still has multiple chicks on stage. Yes, older works are often misogynist and ugly. But the disturbing trend of showing only dead, silent, or supremely unimportant women briefly and then rushing back into a universe peopled only by hot men is (perhaps) our own special invention. At least it’s the addiction of a significant number of creative minds.

And I can’t help thinking that even in Serenity, the Future!Western authored by the Sainted Whedon who can do no wrong, does not allow River to fight the Operative herself. She can mop up Reavers offscreen–Reavers who are brutal but not official representatives of the government that harmed this girl nor out to get her particularly–but the great man-to-man battle that decides the narrative of the film, that’s for the big boys, kid.

A 1968 novel does better. The sheer centrality of Mattie, given that she has the classic bromance Big Men swordfighting with their egos around her, astonishes me, even though it shouldn’t. If Steven Moffat got ahold of this, she’d be a petulant, shouty superhot annoyance while the real story became Cogburn and LeBoeuf, who would naturally get all her best lines. Eventually we’d find out that Mattie’s brother sent her to do all this in the first place and planned it all. (I still cannot forgive that assassination of Irene Adler.)

All this is depressing as hell. Encouraging, I suppose, that the Coen Brothers made this film in 2010, that movies like Hanna still get made.Television is a worse state, and frankly most popular SF/F is incredibly dire on the sheer visibility of women, let alone any kind of 201 treatment of their stories. What. the. hell. It should be better by now. It was supposed to get better.

But I never thought I’d say that I wish more creators displayed the feminism of a 1960s Western.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Things Which Are Happening
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Tonight I am reading at the NYRSF event at the Soho Gallery for Digital Art!

It’s an Under the Moons of Mars event, so I’ll be reading from my Barsoom story. I hope to see some of you there–I have been trying not to overbook myself while in NY, with the effect of not seeing as many friends as usual. Also: must acquire soup dumplings to complete my travel tradition!

Also, my story Urchins, While Swimming is now up at PodCastle! It’s beautiful, and has singing!

I’ll be back home tomorrow. It’s been a good trip, with much fun. But my own bed awaits. I had a dream that we had to evacuate earth and populate another planet due to s comet or whatever and they made us leave our pets behind. So I’ll be needing to cuddle my dogs and my cat!

Lastly, seanan_mcguire’s new novel Discount Armageddon is out today–go find yourself a copy if you know from awesome!

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Unf**king My Relationship with Technology
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Cross-posted from my tumblr, with gifs, because that’s how I roll over there, because I think it’s important enough to say twice.

I gotta be honest, my relationship with technology has gotten a little toxic lately. I stare at the Internet and I can’t make myself not do that, but the advance of microblogging and slow decline of the kind of thoughtful long-form blogging that brought me to the Internet Wurld in the first place. The robots in my house, they grab me and hold me to their cold metal breasts and I can’t get away.

Part of it is that it makes a really good procrastination tool. And that I am a tool. But most of the time I feel like my attention span and my ability to feel connected to the world physically and emotionally has taken a load of buckshot to the face.

This is a common existential problem, I believe. The all-net giveth and the all-net taketh. And knowing it’s dimpling your soul with spiritually radioactive debris doesn’t actually stop any of us from drinking from the cyber firehose.

Believe it or not, I have a fix for this.

I have had a lot of ideas in my life. Some stupid, some great, some workable, some very impractical indeed. What follows has to go down as one of my best.

Once a week, and we might even bump it up to twice, we have what we call an Abbey Night in our house. We turn off all but the most necessary power. We build a fire and light candles and hurricane lamps. And for the evening, we engage only in 19th century activities.

No music unless you make it yourself. No screens. All phones turned completely off. No writing unless it’s longhand. Tea means a kettle on the stove.

We still cook because we have a gas stove, but if it were electric I’d have dinner ready before the sun went down. We knit, we read to each other, we talk. We play with the dogs. We play cards and cuddle.

And a funny thing happens: when you turn all this stuff off, time dilates. There is SO MUCH TIME in an evening without the stuff that sucks it down: TV, Internet, phone calls and texting. There is attention to spare, and a sudden ebullience of discovering what we can do with all these hours.

Now, I now the 19th century was actually a shitty time to be an intellectual chick. Downton Abbey is a TV show about rich people, not a model for life. It’s the choice to turn it off that makes this powerful. We use the 19th century as an easy yardstick for what to turn on and off. We’re not super strict about it. It’s the idea of stepping back and indulging in what Kim Stanley Robinson once called paleolithic pleasures: other people, voices, fire, things you can do with your hands.

I’m not saying humans weren’t meant to have our shiny toys—we made them, they are ours, and very human, too. But there is something profound about going to ground this way, just once in awhile. It resets you, it brings deep calm. It’s like techno-meditation or the deep conditioning treatments you don’t use on your hair every day, but as a luxury every few weeks to keep things bright and strong.

When we’ve shared this with other people, they, like we, have been nervous at first, when the lights go off. They don’t know what to do. But in a few minutes it switches over to excitement and laughing and intense connection, delight, joy. Whispers in the dark.

Sunday was an Abbey Night. We roasted a chicken and read Lorca by candlelight and one of our guests played her cello while the other played guitar, we told stories aloud and sang, and we invited strangers we met on the island roads to our table where we fed them and gave them whiskey and read Stanislaw Lem to them until the ferry came to take them back to the real world.

And we all knew without the Rules, we’d have spent that night fixing websites or answering email and not talking much. It’s not that we’re bad people. It happens. It’s a technological world. But instead we had this precious evening by soft light that we’ll remember for a long time.

And that’s a point too: I remember each Abbey Night with strong clarity—most evenings melt into one long strain of work and vegging out and whatever. But these nights—I remember every moment.

So I’m posting this as a gift: I encourage you to try it, for it is magic. Of course, I’m sure YOU don’t have any TV at all and spend every day in a rapture of intentionality and mindfulness and you’re only even reading this on a computer you made out of coconut shells and superiority.

But for those of you who have issues with how you interact with time and tech like I do, this is an amazing thing. It is like a spell cast.

Interpret our rules however you like. I mean, the fridge stays on in our house and everything. But this is the single biggest tool I have for unfucking my tech-addled heart and reminding myself that I have a body, I have an interior life that needs more than the frayed ropes of energy and attention and connection and spoons that I’ve been working with. When I feel like a floating brain connected to nothing, which is more than I’d like, this brings me back.

It is good to be reminded that I have the ability to be grounded and full, that the world is not slipping away quite as fast as I think.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Reading Roundup
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Am done with my month of guest blogging for Charles Stross, so I’ll be back here, hopefully starting tomorrow with HARDCORE TITS TO THE WALL CONTENT.

In the meantime, in case you missed them over the weekend, here’s my last couple of Big Thinky Posts from the antipope side of the Internet:

Work Is Never Over: On Publishing and Its Many Faces

Life With and Without Animated Ducks: The Future Is Gender Distributed

I’ll be in NYC all next week (and doing the NYRSF reading on the 6th) so if anybody wants to hang out or have dinner, ping me!

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Show and Tell
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I’ll be finishing my run at Charlie Stross’s blog this week, so I should be back with big thought-chunk essays here in my own bed next week. I miss you guys! You are kind of the best commentariat on the internet. You hardly ever skin each other alive!

Elsewhere on the webs, I started a tumblr, (a new one, I could never figure out how to get WordPress to cross post to the T) because my life is a little fucked right now, and I need to unfuck it, ala Unfuck Your Habitat. It’s not really important that you follow it unless you want to hear about my struggles to get a normal sleep schedule on, clean the house, change my basic writing habits, healthify my relationship with my technology, etc. It’s to make myself stick to a plan of reformatting my existence on Planet Earth so that don’t lose my fool mind running on the same programming that I did when I was 19. If I document it, and say I’m Embarking on a Scheme, then I’m much more likely to actually make changes and those changes are more likely to stick. It’s gonna be slow and I’ll never be perfect, but I needed a separate, dedicated space to learn, at age 32, how to be a goddamned grown up.

Plus, the pleasure of posting triumphant gifs is a siren song.

It’s called Girl Unlocked, it is full of gifs because I secretly love them and have tried to keep this space reasonably free of what a total doofus I am. But tumblr, she loves the giffery, so I have cut loose there. Today is Day 1, so of course it’s working great–we’ll see if I can keep up after the newness has worn off.

For those of you in New England, this Saturday is s00j’s show at my house! All are welcome, let me know if you need the address!

Now I go to make hay of the remainder of my day.

 

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


OMG Nebula! OMG Philcon!
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EXCITING THINGS HAVE HAPPENED!

I was at Boskone all weekend, which was crazy and wonderful by turns. It’s been about eight months since I’ve been to a con and it was amazing to not be burned out on cons while at one. I really needed the rest, and I was so happy to see my friends.

AND THEN I GOT NOMINATED FOR A NEBULA OMFG.

I heard the news right before Boskone and couldn’t tell anyone while I was there! Even at the Clarkesworld reading where I read form Silently and Very Fast! Which is what was nominated! In the novella category! EEEEEEEE!

Seriously, this is insane. I wrote Silently for WSFA because I was the GOH at Capclave. Normal people give them short story reprints or a trunk novel. But I got it into my head that I should write an original AI story because then I could commit SF without anyone being all PLZ STAPLE YOUR DEGREE IN COMPUTER SCIENCE TO ALL SUBMISSIONS. From scratch, digging up an idea I’d been nesting on since I first moved to Ohio a million years ago but didn’t know enough about AI to write, a long, long story that was not long enough to be a novel but too long to be a short story. And then of course the deadline came as I was so exhausted from touring I was nearly catatonic.

It is what you call an unlikely contender. This is, in fact, my first Nebula nomination. The Andre Norton Award is Not a Nebula, as stated by large and bolded print in the rules. If I manage to get nominated for a Stoker some year, I’ll have the royal flush of nominations (Hugo, Nebula, WFA, and Stoker). No wins, but I’ve been nominated. I’ve been invited to the game. It’s a big deal to me, personally, and especially because SAVF is my first major work of SF as opposed to fantasy. It’s a work that I’d been planning for five years, learning and researching so I could get smart enough to write it. It means maybe there’s room for me in the science fiction club, after all.

Speaking of, my other big news is that a lovely gentleman waited in my signing line (I had a signing line! It was long! Wow!) so that he could ask me in person to be the Principal Speaker/GOH at Philcon 2012 this fall. Philcon is the oldest SF convention in the country, and I am floored to be asked. So I will see you all in Jersey just north of Thanksgiving, right?

It has been a long weekend of silent, repressed squeeing. Now I squee from the rooftops.

Yawp, too.

It is for times like this I made this icon.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Locus, Nebulas, Deathless Paperback, and Boskone
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So! A couple of things and then one more.

One, the Locus Poll is up. I, er, showed rather well. I have something in all the fiction categories, and sometimes more than one thing which is BANANAS because I’m usually over the moon to get one mention. It’s probably to do with having published a thousand things last year but I’m super thrilled. Silently and Very Fast is on there, Deathless, The Bread We Eat in Dreams, White Lines on a Green Field, The Folded World, and Fairyland. Welcome to Bordertown is up for best anthology, too! You can also write-in titles you think should have made it.

The Poll is connected to the Award–so you can go over there and vote for your favorites, no fee, just click. There’s a lot of amazing stuff, not just mine, and the more people vote the more vitality the Award has and Locus is kind of the Variety for our field. So vote! Clicking is fun.

I’m going to point this out only because I’ve been waving my hands saying don’t waste your votes on Fairyland for other awards–I don’t want to put my foot in the current debate about whether it’s ok to even make a post saying you’re eligible for an award. (I think it’s fine, obviously.) But Fairyland IS eligible for the Locus Award, despite its online publication. So this is probably your only chance to vote for Fairyland for anything in 2012, if you were itching to, as I don’t think it’s eligible for anything else.

Thing Two!

The Nebula nominations close tomorrow. So if you are a SFWA member and you haven’t voted, it is time to vote! All of the things I mentioned up there EXCEPT Fairyland are eligible, but the point is voting full stop, no matter who you vote for–be active, use those fees you paid to have a say in the slant of the genre.

I have thus discharged by vote-announcing duty.

Finally, the Deathless paperback is out today! So you can give your loved one a dark as night D/s Soviet fairy tale for Valentine’s Day for not very much money. I mean, it IS a love story. Romantic Times said so.(I am the WORST for Valentine’s Day this year. I’ve been sick so long that I haven’t planned anything. Ugh.)

This is the first time I’ve gone to paperback from hardback–I am happy. (Fairyland paperback, along with all the online fiction, bestiary, and The Girl Who Ruled Fairyland, is out May 8.)

Back to hacking my guts out, reading student stories, and blogging over at the Stross house. Hopefully I’ll see some of you guys in Boskone over the weekend! If any of you want to volunteer for SFWA and help me set up the business meeting, it’s at 12 on Saturday. Ping me in any of the various ways to sign up.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


News From Around the World
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For your reading pleasure, a selection of Things I have posted at Charles Stross’s blog during my tenure there (still going for two more weeks) and absence here:

You Are What You Love: A Numerical List of Loosely-Connected Thoughts on Writing (Part 1)
#shitsiskosays
How Do We Get There? Thoughts on Post-Scarcity Fiction
Hello My Name Is: The Problem of Memory

Also! I will be at Boskone next weekend! It is my first time! Here’s my schedule, I hope to see a bunch of you there:

How To Build A Genius (Panel), Fri 17:00 – 18:00, Harbor I (Westin)
Fuzzies Must Die! (Panel), Fri 18:00 – 19:00, Burroughs (Westin)
Fairyland Road Show! S. J. Tucker & Catherynne Valente (Dialog), Fri 20:00 -
21:00, Harbor I (Westin)
The Women of Doctor Who (Panel), Sat 11:00 – 12:00, Harbor I (Westin)
SFWA Eastern Regional Meeting (Other), Sat 12:00 – 13:00, Carlton (Westin)
Reading: Catherynne Valente (Reading), Sat 15:30 – 16:00, Lewis (Westin)
Reading: Clarkesworld (Reading), Sat 17:00 – 18:00, Lewis (Westin)
Autographing: Benjamin Tate, Catherynne M. Valente (Autographing), Sun
13:00 – 14:00, Galleria-Autographing (Westin)

Note this is only the second Fairyland show s00j and I have done–it has been really tough to put our schedules together. So don’t miss this one! (Also, she is giving a house concert at mine on 2/25, all are welcome! But that’s SJ and Betsy, I won’t be reading.)

And in my capacity as a SFWA director, allow me to GUILT TRIP ALL OF YOU WHO ARE MEMBERS into coming to the business meeting. It’s my first time running one, so it’s sure to be hilarious.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Antigone, Original Amazing Punk Bitch
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All great ideas come in the shower. It is axiomatic.

At least I think this is a great idea. I want to run it by you guys before I commit to it–maybe it is not a great idea! i trust you to tell me to save my ink if not.

So, most of you are probably peripherally aware that I studied Greek in college, and this is what my degree is in. Classics remains one of my abiding passions in life, which is actually understating it a bit. When I was studying, I naturally had to read Antigone at some point, which is a play by Sophocles about Oedipus’s kids and how great they did not turn out.

I fell in love with it. So hard. I was genuinely surprised at how different the play seemed to me in Greek–I’d even played Antigone before, because she is a young girl and therefore one of the few terrifyingly awesome Greek leads a youngster can play. And all the translations I’d ever seen were super excited about the Damn the Man aspect of the whole thing, the radio for the people attitude of Antigone toward monarchical power (which she tells to stuff it at great length, hooray democracy).

But reading it for myself, aside from the sheer astonishing beauty of the Greek text, I was struck by how not at all about that the play seemed in my eyes. Yes, Antigone tells Creon to take a long walk of a short pier, yes, she buries her brother and puts family above government, yes there is some Ra Ra Athens subtext about how kings are bad and should be defied–though all of this is enormously played up in French and American translations where we have a vested interest in shitting on kings.

But to me, what the play was clearly about was this strange, fucked up girl. What it was about was sex and death. The political stuff is like an intermission before we get back to this necrophiliac incestuous instinct playing itself out horribly but gorgeously. It’s not a mistake that the famous choral ode in Antigone is not about sticking it to the man, but about the power of the sexual drive.

Anyway, as you can tell, I was and am super into this idea of Antigone. It was the first time I thought: I could translate this ancient thing and actually say something new (ish. There’s no such things as new-new in Classics, but I could make it Different. I could make it wild and strange). And at 21 I resolved to translate it.

I’m 32, and it hasn’t happened. I got really busy with publishing fiction and I didn’t finish my graduate program and Life Happened. And now I’m at a point where I still want to do it, I would be quite upset if I died without doing it, but writing work piles up month upon month and I can’t really squeeze in a major project that has no external impetus to complete, where no one would care if I never did it but me. And it’s tough sell to my bank account to write what amounts to a new book without some kind of bill-paying ability attached to it.

And the thing is, no academic press would be interested in a translation by me. I have an undergrad degree, I am an SFF writer which is like not being a writer at all in academia, and Antigone has been translated a whole lot. Plays are brutally hard to get published and academic press contracts are some of the worst I’ve ever seen. So even if I did it, it would probably sit on my hard drive and cry bitter Grecian tears.

And in the shower today I was thinking about how I am useless for not having done this thing yet and I thought: huh. But, you know, hoo-rah democracy. I don’t need an academic press.

But I do need a way to keep myself on the rails if I ever hope to even write it.

Which brings me to Kickstarter.

So what if I did a Kickstarter project to fund a new translation of Antigone?

It is easily as much work as a full novel, as I’ll have to brush up on my Greek and do a tremendous amount of research, some of which only comes in expensive books. I’d have no intention of doing a Super Accurate Translation, as that’s been done and handily by many folks. I’d be translating the feeling, using all my fun postmodern language tools to make the plethora of words for screwing and dying Greek has into something rich and new in English. I could make my gothsexrage Antigone come alive. If we hit a certain amount I could hire an artist to illustrate it, a certain amount above that and I could include a collection of original poems on classical subjects. I’d put it out on the Kindle (plus BN and epub, Smashwords, etc) and Lulu, (or maybe even serialize the process online) and it could be something really extraordinary, something that doesn’t interfere with my novel options, without getting lost in the labyrinth of the academic presses in which I have little clew these days.

This is my thought. It excites me. I look at my Great Scott (mother of all Greek dictionaries) on the shelf and give it the come-hither look. I remember that I have my old 21-year-old translations of the first several scenes on an old hard drive. I wonder if it a thing that wants to exist, if it was a thing people would support.

What do you think?

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


In Which I Completely Fumble A Child’s Education
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One of my best friends is pixelcandy, who lives in Portland and is a programmer and a gamer and also does these things with three children under the age of 6 and therefore in my eyes some kind of magician.

Her oldest child is Serenity, who’s so tall and articulate I often forget that she just turned five and can’t quite read yet and is not, in fact, eight. Until I have my own, the three of them are the kids I have the most contact with, and Seren particularly, as she’s the oldest and the most outgoing and also loves Fairyland and listens to the audiobook in her room which is adorable.

So I crashed at their house the other night and the kids woke me up at 6:45 am, so I went out to sit with them and watch Shaun the Sheep and bat kid-duty for a bit since I couldn’t get back to sleep. I was sitting on the couch with Seren and she reached up and touched my necklace, saying she liked it. And the following dialogue occurred, which I reproduce for you because a bigger facepalm I can hardly imagine for myself, and those should always be shared with the internet.

Me: I got that in England, you know. Do you know what England is?

Serenity: Nope.

Me: It’s a country on the other side of the ocean you can see when you’re on the island with us. If you went all the way across that ocean, you’d find England. The people who settled this part of America came from England and another country called France.

Serenity: *not interested, watches Shaun the Sheep*

Me: *thinks of awesome thing to interest child in England* And also that’s where King Arthur lived! *does mental TA DA*

Serenity: Who’s King Arthur?

And three things happen. I make the shock-grin-gasp thing that I do whenever someone hasn’t heard of a thing I love. Almost simultaneously I remember that she’s five, and it’s not really surprising she doesn’t know who King Arthur is. And then my brain goes OMG I GOT THIS and gets all excited that I am literally the BEST PERSON EVER to explain King Arthur to a little girl for the first time. I wrote a book about it! I AM ON THIS.

But then…it happens. My entire knowledge of Arthuriana lurches forward into the talky part of my brain, every little thing I know about it from childhood obsession to grad school fights to come out first, and I start talking before the kid can get bored again but King Arthur is a huge story and SURPRISINGLY HARD to soundbite for a kindergartner. So this is what comes out:

Me: Well, a long time ago there lived a good king named Arthur who gathered all the greatest knights in the land and made them swear a vow to protect England. They were called the Knights of the Round Table. And they fought giants and dragons and monsters and went on a long quest for a cup that would make you live forever, but then King Arthur’s wife Queen Guenevere….er. Ran off? With the best knight who was named Lancelot and there was a terrible war and eventually the King died. But some people think King Arthur is just sleeping under the mountains, and he’ll come back if England needs him.

Serenity: Why did she run off with Lancelot? (Earlier in the morning, upon finding out that Dmitri and I had both been married to other people before each other, she responded with “Ew, why?” Quite so, kid. But still, not quite up to explaining the Most Famous Adulteress.)

Me: Um, she liked him a whole lot.

Serenity: *still not in any way interested, grabs a video game and tells me to play Alice so she can watch*

Me: *flails* But wait! But King Arthur had a wizard who was named Merlin and he was the greatest wizard who ever lived! And he lived backwards! *In my head, the tiny medievalists roar: THAT WAS T. H. WHITE IT IS NOT CANON DON’T SAY THAT TO THE CHILD!

Serenity: *dubiously* The greatest?

Me: Yes! Like Dumbledore and Gandalf combined!

Serenity: *is five, probably doesn’t know who Gandalf is*

And now I am desperate to communicate how awesome King Arthur is, and the kid doesn’t care, and I have had like three hours of sleep, and like, my brain is full of screaming tiny medievalists going YOU ARE RUINING IT.

Me: Ok, so one time one of the knights named Gawain fought a giant knight made all out of leaves and trees and branches!

Serenity: Like a pile of leaves?

Me: No, like a guy but his body is made of magical green branches and leaves and glowing berry-eyes. Oh, oh! And the knight was enchanted by Morgan le Fay, who was the most powerful witch ever, and when I was your brother’s age (Said brother is almost four, I was four when I first got obsessed with Arthur) she was my very favorite *considers explaining “clerk of necromancy” to the CHILD and the tiny medievalists in my head are like OH MY GOD SHE DOES NOT CARE THE WORLD IS LOST*

By the way, when I was four or five and learning about Arthur, the phrase “clerk of necromancy” was SUPER CONFUSING. First, I thought: whoa, she works at a magical grocery store bagging spells! AMAZING. Then, when I was a little older, and I understood that clerk was short for cleric, and because I grew up in Mad Men and both my father and grandfather had secretaries to do clerical work for them I was all HOLY CATS SHE IS A MAGICAL SECRETARY AND MAYBE SHE TYPES MONSTERS ALIVE OR SAYS HER SPELLS INTO THE PHONE BEST PERSON OF ALL TIME.

Anyway. I have completely bungled this. This kid had a fantasy author on her couch and yet got an utterly unsatisfactory Arthurian introduction. I forgot the WIZARD and the WITCH until she wandered off! I didn’t even say the word Camelot. What the crap. I used to tell kids stories for a living! (Not like I do now, meaning: I was a camp counselor for a summer camp and then a guide for American military kids going to museums in Tokyo and I used to tell them Greek myths and things like that. I once kept an entire school bus full of 6th graders entranced and off their teachers’ back by telling them the story of the Iliad, the Odyssey, and some of the Euripides post-facto stuff over the course of the three hour drive. I used to be able to do this on the fly, just to let some teachers I barely knew get a little peace.)

The tiny medievalists in my head were like THERE. YOU ARE FIRED. NOW THAT CHILD WILL NEVER GROW UP TO BE A MEDIEVALIST. GODDAMMIT.

I have bought her a book and The Sword in the Stone to make up for the total failure she doesn’t even know I committed. And I take this as a lesson for the possible future child of ours, that I should probably take a minute to get things straight in my head before tackling a five minute version of a massive mythology. And also that I will probably get more than one chance to tell a kid a story and not to panic. Perhaps I can think of a way to retell King Arthur via claymation sheep…

All was not completely lost. As she was getting ready for school, Serenity looked up from her snowboots and said:

Cat, were the knights like policemen? Are policemen knights?

And I smiled and said: I guess you could say that, sweetie. But only the really good policemen are knights.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Yes, Virginia, Religion Can Peacefully Co-Exist With Evolution
Green Wind
catvalente

A young reader emailed me last week with a question about Fairyland. My answer grew a bit long, and I thought the exchange was interesting and fruitful, so I asked their permission to post it here. Religion is always a strange issue in my books, in that I find it fascinating and faith is something I find deeply valuable, even though my own journey has not mixed well with organized religion. I’m no longer Catholic or Christian Scientist nor a Pagan (but that’s the closest), on the other hand, I’m not a Reddit Atheist, either. I sometimes joke that I’m a non-practicing agnostic. When asked for a religion in forms, I usually put down “Lost.”

So I can’t bring myself to pin it down and say: in this universe, God means X. I can’t say: there’s no god. I can’t say: these gods are real. I can’t even say: Pookas believe in the Great Shapeless Puddle and Nalegoblins believe in the Prime Purler, because no one race believes one thing in the real world. Mythology, faith, and folklore are three fell sisters, and their ways are rich and strange.

So here’s my Yes, Virginia letter–only in this case it’s Cameron. Thanks for writing me, Cameron!

Dear Mrs. Valente,

First off, I just finished “Girl who” last night and loved it! I had a question about the mythology of it: is there a god figure? You mentioned Pan and the Dragon-but not-fish-but not, but you also mentioned evolution. It’s hard to wrap my 8th grade mind , that even with a blossoming love of mythology and is a bit rusty, around . Could you please explain this to me? Also, could you please come to Portland, Or someday or, if they have it again: BookFest in Seattle? Thank you very much and have a wonderful day!

Your fan,
Cameron

Hi Cameron!

I deliberately left the religion of Fairyland vague. Most countries have lots of religions and that’s how I figure it goes there–spriggans have different notions of how the universe works than fairies or wyverns. Swearing by Pan is kind of like how we say “oh my god” even if we’re not religious–Pan is the god of nature in Greek myth. It’s also a little bit of a reference to The Wind in the Willows, in which Pan features.

Evolution and religion are not mutually exclusive, though. There is no reason a god or gods could not have created a universe that evolved–in fact, it would be stranger if he or she or they created a universe that never changed at all. If you boil evolution down to its simplest idea it’s that things change. What’s around you changes you mentally and emotionally: if you’re loved you behave differently than if you are hated, if you’re hungry you behave differently than if you never have to worry about where your next meal will come from. And a much bigger and longer scale, what’s around you changes, very slowly, the body, too. It doesn’t mean that you personally will develop wings if you live at a high altitude, but that your children’s children’s children might be able to process oxygen more efficiently, like the Sherpas of the Himalayas. That kind of change can be as divine as a resurrection or a moon goddess if you choose to see it that way.

The fairies in Fairyland take an aggressive approach to evolution, doing it quickly and consciously as a kind of hobby, which is not how it works in our world and September says so. But like many things in Fairyland, it’s just a speeded up, “on purpose” version of something in our world. Instead of it being a long, slow, unpredictable process, it’s something fairies do on purpose because it’s fun to change. For them, it doesn’t have anything to do with religion–and it doesn’t really have anything to do with religion here in our world either, no matter what you hear on the news. It’s something we observe happening in the world. If a god or gods can make the whole world and everything else we observe in it, he/she/they can allow that world to change when it needs to.

Same goes in Fairyland.

So I can’t answer what the religion of Fairyland is because there are many, just like in the real world. No one has a “right” religion over there, even if they swear by Pan sometimes. As I do in real life, I let the people of Fairyland have their beliefs and I don’t trouble them much about it.

I was in Portland, OR last year and I hope I’ll get to come back when the sequel comes out–and maybe BookFest, too, you never know! Seattle is my hometown, after all.

Cat

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Climbing Everest
undestructable
catvalente

I read Into Thin Air earlier this week–an account of the 1996 Mt Everest disaster in which eight climbers died. Written by the same guy who wrote Into the Wild–only this time Krakauer was actually there, one of the surviving climbers.

It’s fascinating–I love good narrative non-fiction and I don’t get to read enough of it. (Recs encouraged!) I’m aware it’s a controversial book–Anatoli Bourkeev, one of the mountain guides, co-wrote his own book contradicting Krakauer on basically all the point haivng to do with Bourkreev. But honestly, I found the evidence refuting that book in the postscript of ITA convincing, and I just didn’t think Krakauer really criticized Boukreev that much, certainly not enough to spark their epic bitchfest about it which only resolved when Bourkreev died on Annapurna. But then, I’m part of a small literary community too, I know people flip out over perceived slights that didn’t result in anyone dying.

Krakauer originally went to Everest to write an article on the commercialization of the mountain and the climbing of it. Bits of that make it into the book, but it’s understandably overshadowed by, you know, horrible death. However, I find this fascinating, and I wish I knew of another book that covered it more fully.

How can climbing Everest go in 60 years from an impossible feat that even the best of men failed at to something that, if you’re reasonably fit and understand the risk, you can pay someone to get you up and down the mountain with little climbing experience of any kind? Given that state, what is the point of corporate sponsorship of such expeditions? What can the companies get out of it when it’s not longer this humanity-elevating activity? There’s a huge trash problem, too, not just discarded gas canisters on the mountain (and bodies of the dead) but Base Camp has got to be just a wreck by now, given the book was written in 1996.

I’m fascinated by how Everest is climbed now–mostly white people pay Sherpas to climb it ahead of them and build camps for them. Sherpas do the crazy climbing (for relatively little pay compared to the white guides) just to set up ropes and support for the clients, who have a much easier time because of said ropes, oxygen, food, tea. The Sherpa who climbed with Hillary is famous among mountaineers, but Hillary is The Guy Who Climbed Everest in the West. It’s amazing to me. All these men standing on the shoulders of Sherpas to crow their victory over a mountain they could never have done had others not climbed it several times beforehand to turn down the beds. (Slightly snarky, it’s still hard, obviously, and the cold and altitude still kill people and munch off their fingers and toes with frostbite, but Krakauer makes the point that Everest is huge, but not technically nearly as difficult as nearby shorter peaks. It’s the altitude, not the climbing that’s a problem. But part of that lack of difficulty has to be that there’s a whole group of people smoothing the way for you!)

I’m not a climber and I never will be. I love mountains, but I love the feeling of being in them, surrounded by them. I don’t feel the need to stand on top, to measure myself against them because, well, the mountain wins. Every time. I have no desire to climb Everest or anything else. My fascination is akin to the one I have for polar exploration–the extremes are just so mind-boggling, the bizarre things that this planet can throw up in the face of humans poking their heads into remote and untouched places.

I would like to see Everest. To see the Himalayas with my own eyes. The one thing that really did spark my desire to strap on boots was the Khumpu Icefall, this crazy glacial  labyrinth not very far up the mountain. That made my heart beat faster, the idea of mad ice seracs tottering everywhere. Like another world. But I don’t really think one can go to Base Camp to just hang out and talk to people, when you are not a climber and also a white American girl. I would feel very much like a poser and a douche. Also I hear the permits to enter Nepal are insane, price-wise. So I will probably never see them–but I have a longing, I do.

Have any of you read the book? Been to Nepal? Know any other books on the commercialization angle? (Or other good narrative non-ficiton?) I’m eager to discuss it, but have no one to talk about it with!

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.


Autoaudiography Week 4: Snow
snow queen
catvalente

YOU GUYS.

I just fell on my ass (and by ass I mean ass, hip, and back) THREE TIMES in the snow. I have not fallen in snow since Cleveland (in which I busted my tailbone during this California Girl’s first Actual Winter)! NOT SMOOTH. It was like a cartoon: foot slips, ass over teakettle, girl is looking at the sky.

My pride is bruised! The theme for Autoaudiography this week was going to be something else, but it is clear that the universe wants songs about SNOW and WINTER. Maybe if we sing about it, we will get more snow and less BS 50 degree days. Sympathetic magic for the win.

So: snow, winter, cold, ice, that sort of thing. Remember to keep all links free and legal so I don’t get it from the RIAA, and comb the comments for awesomeness.

I love this song by The Dismemberment Plan–I listened to it a lot when I was first moving to New England as it seemed to speak to my disillusionment with humans and myself and everything ever. (Maine saves!) I’ve always loved monologuey songs anyway.

Mirrored from cmv.com. Also appearing on @LJ and @DW. Read anywhere, comment anywhere.